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classicisme --- muziekgeschiedenis --- Burney, Charles --- anno 1700-1799 --- France --- Italy --- Music --- Musicians --- Biography. --- Burney, Charles, --- Diaries. --- Europe --- Description and travel --- Early works to 1800. --- Muziekgeschiedenis --- Italië --- Frankrijk --- 18e eeuw

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History of civilization --- Theatrical science --- anno 1700-1799 --- The Hague --- French drama (Comedy) --- Theater --- Opera --- History and criticism. --- History. --- Hague (Netherlands) --- Intellectual life --- Opera's --- Den Haag --- 18e eeuw

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Generaties lieten zich bedotten door hun illusies van verf, linnen en hout. Theaterdirecteurs betaalden fortuinen voor hun meesterschap. Kunstpausen grepen naar superlatieven om hen te prijzen. En toch belandden zij in de prullenmand van de geschiedenis: de decorschilders. Bruno Forment verrichtte meer dan tien jaar lang speurwerk in de krochten van de Belgisch-Nederlandse theatergeschiedenis. Aan de hand van oogstrelende beelden, herontdekt erfgoed en verrassende verhalen licht hij in Droomlanders het doek over een spectaculair ambacht en zijn meesters vroeger en nu. Wie waren deze kunstenaars, hoe gingen zij te werk en waarvan droomden zij? En waarom vielen ze plots uit de gratie?

Stage design. Scenography --- flats [theater elements] --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- anno 1900-1999 --- Netherlands --- Belgium --- Theaterwetenschappen --- Decors --- Decorontwerpers --- Boekgeschiedenis (kennisdomein) --- Literatuur, muziek en beeldende kunst/grafiek (kennisdomein)

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What emerges from this study, is a picture of 18th-century opera as a literary work as well as a theatrical and musical event in its challenging and variable interactions of poetry, music, gesture and decor.What emerges from this study, is a picture of 18th-century opera as a literary work as well as a theatrical and musical event in its challenging and variable interactions of poetry, music, gesture and decor. This is illuminated by an exploration of both the context of ideas in which opera flourished and the aims that animated those who where involved with its existence - poets, composers, performers, dramatists, impresari, patrons, audiences - in an attempt to penetrate the secrets of its appeal, of that tacit agreement between authors and audiences, that made it possible for dramatist, musicians and stage designers to manipulate spectator´s emotions and reactions as successfully as many sources document.

Music --- Theatrical science --- anno 1600-1699 --- anno 1700-1799 --- Europe --- Opera --- Theater --- Bel canto --- Opéra --- Théâtre --- History --- Dramaturgy. --- Histoire --- Dramaturgie --- opera's (genre) --- dramaturgie --- Opéra --- Théâtre --- 78.77.0 --- Opera - Italy - 17th century. --- Opera - Italy - 18th century. --- Theater - Europe - History - 17th century --- Theater - Europe - History - 18th century --- Commedia dell'arte --- Opera's --- Italië --- 18e eeuw --- 17e eeuw

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'Music in the Galant Style' is an authoritative and readily understandable study of the core compositional style of the 18th century.

Music --- Style, Musical. --- Musical analysis. --- Musique --- Style musical --- Analyse musicale --- History and criticism. --- Histoire et critique --- 547 --- Praktische harmonie - basso continuo --- Musical analysis --- Style, Musical --- Musical style --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music theory --- Music appreciation --- History and criticism --- Philosophy and aesthetics --- Analysis, appreciation --- Analytical guides --- Instruction and study --- 78.26 --- muziekanalyse --- muziekgeschiedenis --- anno 1700-1799 --- Muziekgeschiedenis --- 18e eeuw